BNE Productions Arms Excision's Thunderdome with PK Sound

PK Alliance member BNE Productions deployed a substantial Trinity Black / T10 robotic line source system for Excision Presents: The Thunderdome, a three-night engagement at the Tacoma Dome in Washington featuring the over-the-top audiovisual production the bass music icon is famous for.

The system design met the Dome's scale head-on: main hangs of 18 Trinity Black over three T10 modules per side, a five-module T10 centre array, 90 T218 intelligent subwoofers, 16 T10s as front fill, and six Trinity Black delays per side.

Indoor stadiums are notoriously unforgiving for bass-heavy productions, with long reverberation times and vast reflective surfaces. Using PK's patented Multi-Axis Robotics, the BNE team mechanically tailored each array's coverage to the Dome's contours – focusing the show's seismic low end and razor-sharp detail on the crowd while keeping energy off the roof and distant walls.

The result: three consecutive sold-out nights of the heaviest sounds in electronic music, delivered with the clarity and consistency that have defined the Excision camp's decade-plus relationship with PK Sound.

From Lost Lands and Bass Canyon to landmark headline engagements like the Thunderdome, that partnership has repeatedly set the benchmark for what large-format bass music production can sound like – and BNE Productions' West Coast deployments continue to push it further.