Clubs, halls, and residencies where the sound is the draw. An installed PK rig re-tunes itself to every act — live band tonight, DJ tomorrow, private event on Sunday. No labour calls, no team lifts – just results.
Portland’s Crystal Ballroom pairs a century of lath-and-plaster with a “floating” dance floor and floor-to-ceiling windows. Tone Proper AV hung eight T8 per side with twelve T18 — and shaped coverage to the architectural features.
The house engineer called the result “groundbreaking” while Tone Proper AV added: “The space wasn’t designed for amplified sound and the modern events they host now – and that’s exactly why PK’s T8 was the right choice.”
I’M HAN Night Station spans 10,000 sq. m and 30 karaoke suites — nightlife at a scale few venues attempt. Polar Audio specified T10 mains with G218s and CX800 subwoofers under the tables.
“It’s the go-to system for many of the world’s top artists and DJs, and that’s the level of talent we’re proud to feature — so the choice was clear,” says owner Kane Lin.
The 141-year-old Cannery complex is an asymmetric room lined with exposed brick — beautiful to the eye, merciless to amplified sound. Full Spectrum AV anchored the Main Stage with a T10 robotic line source system that directs energy off the reflective walls and onto the audience.
The system reshapes its coverage remotely in PK .dynamics — full-capacity concert, seated showcase, or private event — without touching the rig.
When the group behind DJ Mag Top-100 mainstay Catwalk Disco opened a sister venue, the brief was to outdo themselves in every capacity. Polar Audio anchored the main hall with Trinity Black over T10 — tour-grade control from architecturally friendly enclosures.
“As the number one nightclub in Guangzhou and a destination for international performers, we need to offer a world-class experience unlike any other,” says club designer Cheng Jiheng.
Post Malone’s slick new room in the heart of Music City is loaded: T8 robotic arrays, Tx Series point source, and T18 subwoofers installed by JAG Warner Productions — a spec that reflects an artist known for taking sound seriously.
Multi-Axis Robotics re-tailor coverage between full-production shows, DJ sets, and private hires with a few keystrokes in .dynamics — and as the programming evolves, the soundfield evolves with it.
A fixture of the Dutch live circuit for decades, Uden’s De Pul turns over headline shows, theatre, film, and community events in the same room. Clarity.live installed the Netherlands’ first T8 robotic system, paired with T218 subwoofers and Tx14 infills.
“T8 can very precisely adjust vertical and horizontal dispersion to the room, which ensures a sublime listening experience,” the venue’s technical team told EB Live. “This is the most innovative sound system on the market.”
“Each module offers real-time control of both vertical and horizontal acoustic coverage, so the system provides the best sound in the city — even in a 141-year-old, mostly brick building.”
Aspen's 1889 landmark is replacing its twenty-year-old house system with a T8 robotic line source package deployed from the opera boxes and under the stage, so nothing intrudes on the Victorian sightlines.
The Main Stage at Nashville's iconic Cannery Hall features a T10 robotic system installed by Full Spectrum AV, with coverage mechanically tailored to…
The Crystal Ballroom, the Pacific Northwest’s premier historic venue, has undergone a transformative audio upgrade thanks to AV supplier Tone Proper…
Four rooms, two continents — Calgary, Buggenhout, Barcelona, and Colchester. Bring your drawings.
